Do you love a brilliant hero trying to save the world before he's blown to bits by the time bomb in his shorts? Then you should be writing thrillers. If you read a lot of them, you already know the tropes to use, the cliches to avoid, and the basic structures they follow. If you haven't read many thrillers, and just think they might be a good way to make money, you should go read a bunch of them and then . . .
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